Description
PENTHOUSE UK MAGAZINE VOL 31 NO 3 1995 PAMELA ANDERSON
BELINDA . EMMA CAESARI . NATASJA . ALISON .
and more
Condition generally very good , some issues minor spine wear , price/price sticker to cover , minor soiling to cover / staple strain
A4 SIZE
PLEASE NOTE : Many Adult themed magazines will be hidden from the store home page, to access them please use the top right of page search , click on ‘ Q ‘ and input Title required and press return
Supplements / Free Gifts ( when applicable ) are NOT included unless stated
PENTHOUSE UK MAGAZINE VOL 31 NO 3 1995 PAMELA ANDERSON
BELINDA . EMMA CAESARI . NATASJA . ALISON .
and more
Condition generally very good , some issues minor spine wear , price/price sticker to cover , minor soiling to cover / staple strain
A4 SIZE
PLEASE NOTE : Many Adult themed magazines will be hidden from the store home page, to access them please use the top right of page search , click on ‘ Q ‘ and input Title required and press return
Supplements / Free Gifts ( when applicable ) are NOT included unless stated
PENTHOUSE MAGAZINE UK
Penthouse magazine began publication in 1965, in the UK[8] and in North America in 1969, an attempt to compete with Hugh Hefner‘s Playboy. Guccione offered editorial content that was more sensational than that of Playboy, and the magazine’s writing was far more investigative than Hefner’s upscale emphasis, with stories about government cover-ups and scandals. Writers such as Seymour Hersh, Craig S. Karpel, James Dale Davidson, and Ernest Volkman exposed numerous scandals and corruption at the highest levels of the United States Government. Contributors to the magazine included such writers as Isaac Asimov, James Baldwin, Howard Blum, Victor Bockris, T.C. Boyle, Alexander Cockburn, Harry Crews, Cameron Crowe, Don DeLillo, Alan Dershowitz, Edward Jay Epstein, Joe Flaherty, Chet Flippo, Albert Goldman, Anthony Haden-Guest, John Hawkes, Nat Hentoff, Warren Hinckle, Abbie Hoffman, Nicholas von Hoffman, Michael Korda, Paul Krassner, Michael Ledeen, Anthony Lewis, Peter Manso, Joyce Carol Oates, James Purdy, Philip Roth, Harrison E. Salisbury, Gail Sheehy, Robert Sherrill, Mickey Spillane, Ben Stein, Harry Stein, Tad Szulc, Jerry Tallmer, Studs Terkel, Nick Tosches, Gore Vidal, Irving Wallace, and Ruth Westheimer.
The magazine was founded on humble beginnings. Due to Guccione’s lack of resources, he personally photographed most of the models for the magazine’s early issues.[9] Without professional training, Guccione applied his knowledge of painting to his photography, establishing the diffused, soft focus look that would become one of the trademarks of the magazine’s pictorials. Guccione would sometimes take several days to complete a shoot.
As the magazine grew more successful, Guccione openly embraced a life of luxury; his former mansion is said to be the largest private residence in Manhattan at 22,000 square feet (2,000 m2). However, in contrast to Hugh Hefner, who threw wild parties at his Playboy Mansions, life at Guccione’s mansion was remarkably sedate, even during the hedonistic 1970s.[9] He reportedly once had his bodyguards eject a local radio personality who had been hired as a DJ and jumped into the swimming pool naked.[10]
The magazine’s pictorials offered more sexually explicit content than was commonly seen in most openly sold men’s magazines of the era; it was the first to show female pubic hair, followed by full-frontal nudity and then the exposed vulva and anus.[9] Penthouse has also, over the years, featured a number of authorized and unauthorized photos of celebrities such as Madonna and Vanessa Williams. In both cases, the photos were taken earlier in their careers and sold to Penthouse only after Madonna and Williams became famous. In the late 1990s, the magazine began to show more “fetish” content such as urination, bondage and “facials“.[9]
On January 15, 2016, a press release emanating from then owner FriendFinder Networks announced that Penthouse would shutter its print operations and move to all digital. However, managing director Kelly Holland quickly disavowed the decision and pledged to keep the print version of the magazine alive.[11]
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